As we know, every society has its own music characteristic. Azerbaijani classical music has also left distinct traces in the world. In the European art tradition, classical music can sometimes be adapted to instruments other than the written instrument. This phenomenon is influenced by different musical instrument characteristics and it can add innovations to the interpretation of the work and at the same time provides the opportunity to approach and interpret the work with a different aesthetic point of view. Therefore, I believe that the Azerbaijani music should be interpreted in new accents and evaluated by putting forward a new aesthetic understanding. Therefore, I chose the masterpiece and the popular Azerbaijani music and started to adapt it to my classical guitar instrument. Akşın ALİZADE's independently written and well-known work “Cengi“ is written in the form of a Sextet (Six Instruments). Therefore, during the transcription or adaptation for the classical guitar, taking into account the technical limitations and sound register, efforts have been made to keep the integrity of the work. During the adaptation, guitaristic technical supplements were added for the guitar instrument. These changes were carried out on the basis of classical and contemporary harmony rules. The paper will be took samples from the original edition and the researcher’s one. In addition, four guitars will be played during the presentation.