Bauhaus has an important place in the history of design despite its existence endured just for 14 years. However, the path opened by Bauhaus is thought to be exemplary for today's design world, which has been shaped by a new technology era. With its century-old history, it is clear that the style of the Bauhaus has been beyond the fantasy of a small group of artists, and the scope of the Gropius manifesto, and as well as become property of the global World culture. Its fundamental philosophy, including integrating art with craft and then with architecture, is what makes Bauhaus so famous and time-defying. Arts teaching, which is considered to be “distinguished” education, is combined together with crafts by Bauhaus. It is a first in the world and design as we know it today; It was designed as a new workspace. The concept of the unity of visual material culture determined by Bauhaus is considered very radical and avant-garde for its time. The concept of the unity of visual material culture determined by Bauhaus is considered very radical and avant-garde for its time. The basic geometric prototype combinations are still used today for the mass reproduction of the combined models produced by Bauhaus  ceramic artists. The study aims to investigate the innovations in ceramic design in the context of the ideas and radical approaches of the Bauhaus school, which is considered as a turning point for the design world; The data derived from many sources in the reviewed literature were used for this aim. As a result of the analysis, it was observed that the obtained data presents similarities in many sources. Therefore, the number of sources to be used is limited by classifying the sources with an analytical approach.