Mulemma, which literally means colorful, is a literary genre in classical literature and is called poems consisting of several languages. Although there are many examples of mulemma in classical eastern literatures, the number of languages used in this literary genre varies according to nations. For example, in Persian literature, mulemmas are mostly in Arabic and Persian languages; Although it is seen in Arabic, Persian and Turkish languages in Turkish literature, Arabic, Persian, Turkish and Kurdish languages are encountered in the examples of mulemma in Kurdish literature. Mulemma-type multilingualism also provides enlightening information about the sociologically multicultural Kurdish society and the multilingualism of the Kurds. We encounter such examples of multilingualism in the folk songs of some Kurdish artists and singers, one of them being is Emin Turgay. Especilly, after the bans on kurdish language was removed, kurdish became dominant in cultural areas so some kurdish artists used multicultural themes and different languages in their works.  In this context, Emin Turgay is one of the important Kurdish artists of Ergani who lived between 1945-2000. He benefited from multilingualism in some of his songs, as well as in the genre of mulemma, and enriched his songs with Kurdish, Arabic and Turkish languages in a new style, which gives us the opportunity to re-evaluate Turgay's songs from the perspective of classical literature. For this reason, in this article, the traces of mulemma, a type of classical literature, will be traced in Emin Turgay's songs, and in this context, the relationship between classical literature and folklore will be evaluated together in Turgay's art.